“There’s a certain uneasiness to the Toadies,” says Vaden Todd Lewis, succinctly and accurately describing his band—quite a trick. The Texas band is, at its core, just a raw, commanding rock band. Imagine an ebony sphere with a corona that radiates impossibly darker, and a brilliant circular sliver of light around that. It’s nebulous, but strangely distinct—and, shall we say incorrect. Or, as Lewis puts it: “wrong.”
“Things are done a little askew [in the Toadies],” he says, searching for the right words. “There’s just something wrong with it that’s just really cool… and unique in a slightly uncomfortable way.”
Lewis is stoked on “the freshness of this new record. Getting back into this, back into the feel of the Toadies, is cool. Lewis, Rez, Vogeler and new bass player Doni Blair (Hagfish, Only Crime) are optimistic that their indie incarnation will succeed, thanks to the support of their devout fans—and equally supportive label. “The music industry has changed so much,” says Vogeler. “A band like us can be on an independent label and still get the music out to the people who want to hear it.”
The Toadies are now free to pursue success on their own merit and muscle. And things are starting off nicely: On August 2, The Toadies will play Lollapalooza and, following the album’s release, they’ll embark on a nation-wide tour offering old fans and those to come—as he recently told SPIN, “Balls. A ton of balls.”
“Getting back to the bare knuckles element of the Toadies,” continues Lewis, “is what I really enjoy, after being away from it for so long.” Vogeler and Rez concur. “I’m here and still doin’ it,” furthers Vogeler, “because the music’s good.” And Rez proclaims in his thick Texas drawl, “The Toadies are back in business.” And suddenly, everything wrong is right.